Using WWB Campus as a Tool for Intercultural Learning
Posted on August 16, 2017
(Originally posted in November 2016; now updated with new literature--Eds.)
Education shall be directed to the full development of human personality and to the strengthening of respect for human rights and fundamental freedoms. It shall promote understanding, tolerance and friendship among all nations, racial and religious groups…-from UNESCO, Universal Declaration of Human Rights
Intercultural education fosters understanding, respect and friendship among nations and between racial, religious, and ethnic groups. We know there are lots of teachers out there looking for ways to incorporate intercultural education in their classrooms, and Melissa Liles, Chief Education Officer of AFS Intercultural Programs, wrote a guest blog post on the topic for Education Week's Global Learning blog.
Following Liles’ suggestions, we’ve outlined how you can use WWB Campus to introduce intercultural learning to your classroom:
1. Start small and build safe spaces.
Liles recommends beginning with warm-up exercises that allow everyone—including the teacher and the students—to get to know each other on a personal level before moving to the cultural level.
You can start with some of these resources from WWB Campus:
- The poem “Amina,” from Egypt, is addressed to the “perfect friend,” and the first teaching idea suggests that students discuss their own experiences of friendship and ideas about the “perfect friend;”
- “The Last of the Bunch,” a graphic story about a man hoping to reconnect with an old friend, also includes teaching ideas that suggest conversations around friendship, generational divides, and parents and children;
- The first teaching idea for “It’s a Chick, Not a Dog” includes a conversation about childhood pets.
2. Distinguish between personal, situational, and cultural differences.
When dealing with conflicts and differences of opinion between students, you might ask: “What kind of difference is this—personal, situational, or cultural? Why?” You can also use this framework when responding to students’ responses to literature and analysis of characters' relationships. “Do you like or agree with this character? Why, or why not? Why are these characters in conflict? Would you say that their differences are mostly personal, situational, or cultural?"
Literature from WWB Campus that deals with conflicts, differing perspectives and viewpoints, includes:
- “This Country Must Break Apart,” “An Interview with Yan Lianke,” and “Sharing” from China;
- “The Pharaohs of Egypt,” “The Veiler of All Deeds,” and “The Egyptian Revolution Won’t Be Fooled” from Egypt;
- “Compos Mentis” and “Once Upon a Swing” from Japan;
- “Violence and Drug-Trafficking in Mexico” and “The Mystery of the Parakeet, the Rooster, and the Nanny Goat” from Mexico;
- "A Dream in a Polar Fog" and "Pears from Gudauty" from Russia.
3. Build up activities and discussions to deepen learning.
Liles suggests that teachers connect local issues that are influenced by cultural differences to issues in the larger world. Begin with local issues, and then connect them with literature on WWB Campus. Learn about the context of that literature, and then return to the local issue. When reading fiction, remind your students that it is, of course, a fictional portrayal of an issue, but one that nevertheless provides a window into an individual perspective and may reveal larger truths.
Some ideas:
- When there are protests in your community or on the news, open up a discussion about protest happening at the local level, then look at protests in Egypt, with the graphic journal “Two Million People in the Square,” or experiences in the 1989 Tiananmen pro-democracy protests in an excerpt from Wang Dan's Prison Memoirs, or "An Interview with Wu Wenjian."
- After a discussion of immigration issues in your community, read "The Gringo Champion," about a young Mexican migrant worker, or "The Bed," about a Russian teenager on Brighton Beach; you might also have students work with the videos, interviews, essays and articles on immigration in the Context and Playlist tabs for these stories.
- Consider local environmental issues, then read “Do Not Tremble,” and the accompanying contextual material related to the earthquake and tsunami of 2011 in Japan and their disastrous environmental effects.
- You can also talk about income disparities in your community, and compare those with the depiction of poverty in mid-century Egypt in the graphic novel of “Proud Beggars.”
- Pair a discussion of child abuse and neglect with Natalia Klyuchareva's story "None of Your Business," or an excerpt from Kaho Nakayama’s Sentimental Education, from Japan.
- Discuss local instances and cultural implications of bullying, then look at what happens in “The Trapped Boy,” a Japanese short story by Keiichiro Hirano.
- Take a closer look at imprisonment and its effects with the oral history "The Wondrous Deer of the Eternal Hunt," from Russia.
4. Recognize and encourage healthy conflict or sharing of different, or even dissenting views.
Read the pieces that deal with conflict (listed above)—whether social, cultural, or political—and have students choose a certain viewpoint. Or, more simply, have students think about whether they like a piece of literature or not, then have those with differing opinions discuss how they feel.
5. Recognize and redirect conflict that is not productive.
As Liles writes: “defuse [overheated situations] by using historical or literary references to take a step back and provide a more comfortable way to tackle bias or stereotypes.” Use WWB Campus’ many contextual materials, or ask students to use references to the literary text when conflict might get unproductive.
6. Help learners process through a three-step debriefing.
- Open up space and structure for students to reflect on and discuss what they learned.
- Help students imagine how they can apply the lessons they learned to their daily lives.
- Work on coming to a shared understanding about why these intercultural activities were conducted. As Liles writes, “Global competence is necessary in our communities, and our world shouldn’t be kept a secret!”
We want WWB Campus to be a useful resource for teachers who integrate intercultural learning in their classrooms and schools. Our team looks forward to learning more about how teachers use international literature to foster intercultural competence—if you have a moment, let us know here or on Facebookhow you do this work!
Suggested reading: UNESCO Intercultural Education guidelines (pdf)